Grab an econo-pack of tissues, gather your loved ones around a cozy television, and bring on the hot cocoa--it's time for a dose of Christmas spirit. The tender and charming Mary Steenburgen (Parenthood) dons a sour disposition in her role as Ginny Grainger, a woman who finds little joy in life lately--let alone in the impending holiday season. Money is tight, her husband (beautifully downplayed by nice-guy Gary Basaraba) lost his job, and the family must move out of their house. Ginny cannot even bring herself to say, "Merry Christmas," despite her family's enthusiasm about the big day. With help from Ginny's brave and loving daughter (sweetly performed by Elisabeth Harnois) and a Christmas angel named Gideon (Harry Dean Stanton), Ginny undergoes a life-altering experience � la It's a Wonderful Life. The result? Happy endings, hugs and kisses, pass the tissues.

Not a light holiday entertainer by any means, the plot verges on depressing at times, as the family struggles through money issues and the tedium of daily suburban survival. While handled fairly subtly, some of the bridging story--including a shooting, a kidnapping, and a drowning--might prove disturbing to children under 6 years old. And really: if the somber Harry Dean Stanton (Paris, Texas) repeatedly appeared in your neighborhood, cloaked in a cowboy hat and overcoat, would you allow your kids outside? Still, a well-made favorite to cherish. --Liane Thomas

It's Christmas at the Simpsons' household but no one is jolly. Homer doesn't have the heart to tell Marge that Scroogey boss Mr. Burns isn't giving out Christmas bonuses this year. Marge, on the other hand, is counting on the bonus because she's spent all the Christmas money getting a tattoo removed from Bart's arm. So Homer has to go to work as a department-store Santa. An early episode with less sophisticated humor and animation, it still offers a number of laughs, plus the story of where the Simpsons got their dog, Santa's Little Helper. --Marshall Fine

A Christmas Story is on its way to becoming an annual holiday classic, one to keep on the shelf with It's a Wonderful Life, the puppet-animated Rudolph the Red-Nosed Reindeer, and A Charlie Brown Christmas. It may have been directed by Bob Clark (responsible for the Porky's pictures), but it's based on the childhood memoirs of humorist Jean Shepherd (from his hilarious book In God We Trust: All Others Pay Cash). And it is Shepherd's wry, deadly accurate, and gently nostalgic comic sensibility that shines through in this kid's-eye view of an all-American Christmas in the 1940s. All little Ralphie (Peter Billingsley) wants under the tree on Christmas morning is a Daisy Brand Red-Ryder BB rifle. He not only wants it, he's consumed with an aching desire for it. Unfortunately, his mother (Melinda Dillon) repeatedly crushes his dreams with the familiar, harsh mantra: "You'll shoot your eye out!" Among the movie's highlights are a surrealistic visit with little brother Randy to a department store Santa, and the childlike mixture of delight, pride, and awe with which Ralphie's dad (Darren McGavin) takes possession of a spectacularly gaudy prize he's won in a radio contest. McGavin should have won an award for his splendid comic work as a middle-aged-kid-turned-patriarch who alternates between grown-up temper tantrums and unabashed juvenile joy. --Jim Emerson

This semi-remake of Holiday Inn (the first movie in which Irving Berlin's perennial, Oscar-winning holiday anthem was featured) doesn't have much of a story, but what it does have is choice: Bing Crosby, Danny Kaye, Rosemary Clooney, an all-Irving Berlin song score, classy direction by Hollywood vet Michael Curtiz (Casablanca, The Adventures of Robin Hood), VistaVision (the very first feature ever shot in that widescreen format), and ultrafestive Technicolor! Crosby and Kaye are song-and-dance men who hook up, romantically and professionally, with a "sister" act (Clooney and Vera-Ellen) to put on a Big Show to benefit the struggling ski-resort lodge run by the beloved old retired general (Dean Jagger) of their WWII Army outfit. Crosby is cool, Clooney is warm, Kaye is goofy, and Vera-Ellen is leggy. Songs include: "Sisters" (Crosby and Kaye do their own drag version, too), "Snow", "We'll Follow the Old Man", "Mandy", "Count Your Blessings Instead of Sheep" and more. Christmas would be unthinkable without White Christmas. Reviewer : Jim Emerson  

This video was only released in 1993, but no one has got around to doing an independent review for us, as yet. But, absolutely everybody knows Tom and Jerry and it's fair to say that they never let you down in terms of action, amusement and outstanding entertainment value. 

In the same year that he directed a handsome version of The Scarlet Pimpernel for television, Clive Donner also made this worthy 1984 small-screen production of the Dickens tale. George C. Scott can't quite muster a decent English accent, but he does bring some new colors to this movie's interpretation of Scrooge, making the character less nasty for the sake of nastiness and more a product of a life of lovelessness. The supporting cast is first-rate, and the production is far more handsome than most TV fare. --Tom Keogh

We don't have an independent review for this title because it won't be  released until November 1, 2005. But you can order it now and Amazon will ship it to you when it arrives into stock..

For those who never thought Disney would release a film in which Santa Claus is kidnapped and tortured, well, here it is! The full title is Tim Burton's The Nightmare Before Christmas, which should give you an idea of the tone of this stop-action animated musical/fantasy/horror/comedy. It is based on characters created by Burton, the former Disney animator best known as the director of Pee-wee's Big Adventure, Beetlejuice, Edward Scissorhands, and the first two Batman movies. His benignly scary-funny sensibility dominates the story of Halloweentown resident Jack Skellington (voice by Danny Elfman, who also wrote the songs), who stumbles on a bizarre and fascinating alternative universe called ... Christmastown! Directed by Henry Selick (who later made the delightful James and the Giant Peach), this PG-rated picture has a reassuringly light touch. As Roger Ebert noted in his review, "some of the Halloween creatures might be a tad scary for smaller children, but this is the kind of movie older kids will eat up; it has the kind of offbeat, subversive energy that tells them wonderful things are likely to happen." --Jim Emerson

Now perhaps the most beloved American film, It's a Wonderful Life was largely forgotten for years, due to a copyright quirk. Only in the late 1970s did it find its audience through repeated TV showings. Frank Capra's masterwork deserves its status as a feelgood communal event, but it is also one of the most fascinating films in the American cinema, a multilayered work of Dickensian density. George Bailey (played superbly by James Stewart) grows up in the small town of Bedford Falls, dreaming dreams of adventure and travel, but circumstances conspire to keep him enslaved to his home turf. Frustrated by his life, and haunted by an impending scandal, George prepares to commit suicide on Christmas Eve. A heavenly messenger (Henry Travers) arrives to show him a vision: what the world would have been like if George had never been born. The sequence is a vivid depiction of the American Dream gone bad, and probably the wildest thing Capra ever shot (the director's optimistic vision may have darkened during his experiences making military films in World War Two). Capra's triumph is to acknowledge the difficulties and disappointments of life, while affirming--in the teary-eyed final reel--his cherished values of friendship and individual achievement. It's a Wonderful Life was not a big hit on its initial release, and it won no Oscars (Capra and Stewart were nominated); but it continues to weave a special magic. --Robert Horton

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How can words describe one third of this films goodness? It is a remake of the classic film but with brilliant actors such as Richard Attenborough as Kris Kringle. When Dorey Walker (Elizabeth Perkins) hires a seemingly insignificant elderly gentleman (Kris Kringle) to be their Cole's Santa she has no idea of the success it would bring Cole's. Just as every thing in life is peachy, Cole's rivals decide to discredit Santa by framing him. When it goes to court to decide weather Kris Kringle is a nut case as he believes he is Santa it is up to the judge to decide if Santa Clause is real, Challenging all that is good and pure about Christmas. It's time to ask your-self "Do you believe in Santa?"
Reviewer: An un-named person from Wales in the U.K.