This carol cum ballad is an excellent example of the mediaeval desire to free the Christmas story from its liturgical straightjacket. It was one of the most ancient English carols and its bitter-sweet quality says much for the imagination and creativity of its unknown composer. |
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1. Lullay, Thou little tiny child |
2. Oh sisters, too, how may we do? |
3. Herod the king in his raging |
4. Then woe is me, poor child, for Thee! |